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Joseph McCloskey & Imogen Thomas, The Alliance of Tupã and Apollo, 11.25 in x 9.5 in, Photo.
In Treasure. Trash. Pleasure. Play. artists Joseph McCloskey, Imogen Thomas, Gabriela Mary, Lilian Merrill, Natalie Slater, and Vica G.H. respond to commodity culture with an assertion that alchemy resides only in our changed perspective: Objects discarded by the masses and salvaged from oblivion are imbued with opulence as their trash essence is embraced by the artists.
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Sweet but Psycho, Once upon a time, in this avant-garde fairytale known as STRANGELAND, BUNNi and GOATFACE find their two worlds collide while exploring the superficial construct of reality. To celebrate their new co-dependent relationship, BUNNi and GOATFACE welcome visitors to a sweet but psychotic housewarming party into their handmade dreamlike installation at OLLY OLLY.
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Image Credit: Paul Karcic and Miki Beyer, Untitled: Looking at Us From a Distance, inkjet print on legal pad paper, 6.5" x 8.5"
In Somewhere Between You and Me, young nonbinary transgender artists intimately seek to understand and bring understanding to what it means to experience life as a nonbinary person: the desire to connect, little room for uninfluenced exploration of self, isolation, tenderness, whatever it is to exist while trying to discover who they could've been without the initial, culturally imposed pressure to exist as man or woman, and who they are despite that ongoing pressure.
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Image Design: Jordan Morris
XYZ explores how personal narrative and expression shape the way we relate to one another. Engaging ideas of multiplicity, repetition and diversity, XYZ aims to celebrate the personal and unique experiences of the individual. This selection of portraiture, illustration, photography and video art investigates the commonalities of experience, turning ‘me’ into ‘us’ and ‘I’ into ‘we.’
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Jeff Duka, "Cyd,” acrylic on panel, 12” x 14”
In Self and Others, Jeff Duka’s works position and consider the self as nebulous, an ephemeral and temporal network. The muted opacity of his portraits suggests the occult and ever-shifting balance between what we do and do not share about ourselves, as well as between what we are and are not permitted or able to know about others.
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